The Tempest
Caliban
Photographed by:
Michael Stadler (production) and Kathryn Parrott (backstage)
I was in a squat or on all 4s the whole time of the production, roughly a 3 hr show; I trained earlier to make sure I protected my knees.
As You Like It
Phoebe
Photographed by:
Michael Stadler (production) and Kathryn Parrott (backstage)
Had my fastest quick change yet of 5 seconds from my last scene to the final scene.
A Midsummers Night’s Dream
Hermia
Photographed by:
Michael Stadler (production) and Kathryn Parrott (backstage)
Most layers I’ve ever worn in a production which then I systematically lost one by one slowly while wandering through the woods during the play.
Jane Eyre
Lowood girl, Bessie, Grace Poole, Apparition
Photographed by:
Michael Stadler (production) and Kathryn Parrott (backstage)
I studied 4 different English dialects including a Northern Irish dialect specific to Grace Poole.
Three Musketeers
Queen Anne, Musketeer, Soldier
Photographed by:
Michael Stadler (production) and Kathryn Parrott (backstage)
I had extensive combat/ single rapier training. Would play multiple fighting characters on both sides.
Seagull
Paulina
Photographed by:
Greg Eliason
Production ran so quickly that unless we had to change clothes, we stayed in the wings waiting to go on.